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Call for Art Submissions

12 Mar

The Indian American Heritage Project of Smithsonian’s Asian Pacific American Center is looking for artists to create works that use the visual of the H1-B visa as a motif or inspiration and comment upon the experience of temporary and tenuous immigration status for Indian immigrants in the United States.  Themes such as migration, transnational identity, diaspora, economy, outsourcing and the role and reach of technology can also be explored.

Concepts are due
Midnight, March 31

Final works should be no larger than 6’ by 6’ and must mount on a gallery wall.  All media are welcome, including:

  • Graphic Design
  • Painting
  • Drawing
  • Printing
  • Collage
  • Photography
  • Mixed Media

Interested artists should submit a concept, including a detailed written description and sketches/images by midnight EST on Sunday, March 31, 2013 to Curator Masum Momaya at MomayaM@si.edu with the subject line “H1-B”.

Upon review of concept submissions by Smithsonian curatorial staff, a small number of artists will be asked to create the final work and submit digital representations of it by 5pm EST on Friday, May 31,2013.

Digital representations will be displayed by Smithsonian’s Asian Pacific American Center in an online gallery, and the winning work will be featured in an upcoming exhibition, Beyond Bollywood: Indian Americans Shape the Nation at the National Museum of Natural History from December 2013 through January 2015.

Portraits After 5: Identities in Motion

9 May

Portraits After 5: Identities in Motion
From left: Carm’s Crew (detail) by Shizu Saldamando, 2009. Jo Willems and Karen O’Brien. © Shizu Saldamando; Maggie Kim by CYJO, digital pigment print, 2005. Collection of the artist © CYJO; CYJO; and Dana Tai Soon Burgess.

Friday, May 18, 2012
8 p.m. — 11 p.m

Smithsonian National Portrait Gallery
Kogod Courtyard
8th and F Streets NW
Washington, DC 20001
Google Map

Metro: Gallery Place-Chinatown

Free and open to the public

Food and drink on sale
in the Courtyard Café

Gather in the Kogod Courtyard to see how dance, new media, language, and visual projections work together to explore identity and cultural influence.

Portraiture Now: Asian American Portraits of Encounter”—organized as a collaboration between the National Portrait Gallery and the Smithsonian Asian Pacific American Program—is the Smithsonian’s first major showcase of contemporary Asian American portraiture. It features the groundbreaking work of seven artists.

KYOPO: Multiplicity is an exploration of how culture and Asian traditions survive, expand, and evolve abroad. The performance piece is a collaboration between the artist CYJO—whose work is in “Asian American Portraits of Encounter”—modern dance choreographer Dana Tai Soon Burgess, French composer Benoit Granier, and composer Anthony Paul De Ritis.

Related Links:

This event is sponsored by:

  • Korean Cultural Center at the Embassy
  • of the Republic of Korea
  • DC Commission on the Arts and Humanities
  • Northeastern University’s College of Arts, Media and Design
  • Yale School of Music
  • Quince Imaging
  • National Portrait Gallery, Smithsonian Institution
  • Smithsonian Asian Pacific American Program
  • National Endowment for the Arts
  • Cherry Blossom Giving Circle

APA Heritage Month – Family Day 2012

27 Apr

Click to download the PDF postcard

May 6, 2012
11:30 a.m. — 3:00 p.m

Smithsonian National Portrait Gallery
Kogod Courtyard
8th and F Streets NW
Washington, DC 20001
Google Map

Metro: Gallery Place-Chinatown
Free and open to the public

Bring the whole family to the Smithsonian’s kickoff celebration of Asian Pacific American Heritage Month! Enjoy a fun-filled day sampling music and dance performances by local artists and engaging in challenging but child-friendly hands-on activities. This family day of activities centers on the exhibition, Portraiture Now: Asian American Portraits of Encounter. The Hirshhorn’s ARTLAB+ teens will be on hand to videotape interviews with interested visitors.

If you think you would like to help out at this event, please contact Lydia Alcock at alcockl@si.edu as soon as possible about volunteering. Please also feel free to forward this note to friends, family, and colleagues.

Schedule

11:45 a.m.
CYC Lion DanceLion Dance (Opening)
The Washington Chinese Youth Club (CYC) performs traditional Chinese Lion Dances at a variety of major events. Lion dance is a form of traditional dance in Chinese culture in which performers mimic a lion’s movements in a lion costume.
12:00 p.m. Remarks by Konrad Ng
Konrad NgKonrad Ng is the Director of the Smithsonian Asian Pacific American Program, which provides vision, leadership, and support for Asian and Pacific Islander American initiatives for the Smithsonian Institution.
12:15 p.m. South Asian Dance Performance by Dhroopad
Dhroopad is an all volunteer Bengali American cultural organization in the  DC Metro area with an objective to promote rich Bengali cultural heritage and to foster arts and literature as a force that transcends social, cultural and religious barriers and instigate compassion for humanity.
1:00 p.m. Spoken Word and Poetry Performances
Simone Jacobson. Photo by Roshan Karmali.The 2013 Asian Pacific Islander American (APIA) Spoken Word & Poetry Summit Artists are a gathering of spoken word artists, poets, writers, musicians, thespians, activists, organizers, and artists who convene based on the commonality of their Asian American, Asian, and/or Pacific Islander identity.
1:30 p.m. Storytelling with Mokihana
MokihanaOur storyteller, Mokihana, will share The Island-below-the-Star, by James Rumford, which tells of the adventure of five brothers and teaches Polynesian navigation skills.  Mokihana will teach the children hula motions to enhance the story and will share an original chant based on the book.
2:00 p.m. Book Reading & Signing with Sushimita Mazumdar
SushmitaSushmita Mazumdar is a D.C. area book artist, writer, and educator. She started writing stories for children when her children were little and made them into fun books by hand. Since then, she teaches art education programs for children as well as adult groups to encourage storytelling and passing on cultural heritage from one generation to the next.
2:15 p.m. Filipino American Dance Ensemble by MHC
FIlipino American PerformanceThe Migrant Heritage Commission (MHC) Filipino American Dance Ensemble is composed of talented youth and adults from various groups who trained for cultural events. The group is under the artistic direction of the Philippine Embassy’s former Cultural Officer & Attache’ Grace Valera.
2:45 p.m.
Lion Dance (Closing)
Performed by the Washington Chinese Youth Club (CYC)

 

Ongoing Activities

Ti Lei Bracelets
Ti Lei BraceletsTi leaves (lā`ī in Hawaiian) have had many uses in Hawaiian culture:  rain capes, roof waterproofing, cooking (as tin foil facsimile) and more.  Participants will learn a simple yet authentic lei-making method to make a bracelet that can be worn repeatedly by storing in the freezer.

Lion and Dragon Masks
Dragon MaskDecorate your own lion or dragon mask to celebrate the year of the dragon. The Lunar New Year is symbolized by a different animal zodiac each year, determined by a 12-year cycle. 2012 is the Year of the Dragon which is the most revered in the calendar.

Handmade Storybooks with Sushmita Mazumdar
Handmade StorybooksChildren and families can create a storybook illustrating their personal story. Sushmita Mazumdar and museum volunteers will provide directions and help.

Charcoal Drawings with Rebecca C. Adams
Charcoal DrawingsIn contemporary American culture hair type can indicate where you live, it can tell a story about your ancestors, and it can even be a form of creative self-expression.  Based on the artworks of Zhang Chun Hong in the Portraiture Now: Asian American Portraits of Encounter exhibit, visitors will create their own hair scroll “portraits” in charcoal to celebrate their individuality.

Clay Fortune Cookies
Clay fortune cookiesLearn how to make fortune cookies out of clay. The history of the fortune cookie dates back to Los Angeles, California. According to “Madam Chu’s Chinese Cooking School” (a book by Grace Zia Chu), George Jung invented the fortune cookie in Los Angeles, circa 1916. He either wanted to cheer up customers during WWI or entertain them while waiting for their food.

ARTLAB+
ARTLAB+ Student FilmingARTLAB+ is a digital media studio based at the Hirshhorn Sculpture Garden that gives teens the opportunity to become integral members of a design team. Production teams are inviting participants to share personal stories that relate to the theme of APA Heritage Month and the Portraiture Now exhibition. The footage is compiled into a montage video by an ARTLAB+ teen video editor.

Photo BoothPhoto Booth
Bring home memories by taking free photo booth pictures with your family and friends.

Special menu available at the Courtyard Café.

Related Links:

Call for Volunteers: APA Heritage Month 2012

13 Apr

May 6, 2012
11:30 a.m. — 3:00 p.m

Smithsonian National Portrait Gallery
Kogod Courtyard
8th and F Streets NW
Washington, DC 20001
Google Map

Metro: Gallery Place-Chinatown
Free admission

We are looking for volunteers to help with our upcoming Asian Pacific American Heritage Month Family Day.

This family day of activities centers on the exhibition, Portraiture Now: Asian American Portraits of Encounter, and includes musical and dance performances, and a range of hands-on activities about portraiture and identity. The Hirshhorn’s Artlab+ teens will be on hand to videotape interviews with interested visitors.

If you think you would like to help out at this event, please contact Lydia Alcock at alcockl@si.edu as soon as possible.  Please also feel free to forward this note to friends, family, and colleagues.

Related Links:

Asian American Portraits of Encounter Podcasts and Portraits After 5 Recap

16 Nov

Audio interviews of all seven artists from the Portraiture Now: Asian American Portraits of Encounter exhibition, on display through October 14, 2012 at the National Portrait Gallery (NPG), are available for download.  You can also download these files as podcasts via iTunes-U. Jasmine Fernandez, a Smithsonian APA Program intern, interviewed the artists at NPG.

Download CYJO’s (Cindy Hwang) Interview  (9 minutes, MP3 audio file)

Click to view more photos

CYJO's KYOPO Project (digital pigment print)

Download Hong Chun Zhang’s Interview (9 minutes, MP3 audio file)

Click to view more photos

Hong Chun Zhang's "Life Strands" (charcoal on paper)

Download Satomi Shirai’s Interview (5 minutes, MP3 audio file)

Click to view more photos

Satomi Shirai's "Fortune Telling" (digital chromogenic print)

Download Hye Yeon Nam’s Interview (9 minutes, MP3 audio file)

Click to view more photos

Hye Yeon Nam's "Self Portrait: Eating, Walking, Drinking, Sitting" (video compilation)

Download Roger Shimomura’s Interview (14 minutes, MP3 audio file)

Click to view more photos

Roger Shimomura's "Shimomura Crossing the Delaware" (acrylic on canvas)

Download Tam Tran’s Interview (8 minutes, MP3 audio file)

Click to view more photos

Tam Tran's "Youniverse" (digital print)

Download Shizu Saldamando’s Interview (12 minutes, MP3 audio file)

Click to view more photos

Shizu Saldamando's "Carm's Crew" (gold leaf and oil on wood)

Portraits After 5 Recap

Portraits After 5

Portraits After 5

Portraits After 5 was an evening event organized by the Smithsonian Resident Associate Program at the National Portrait Gallery on November 4, 2011. The event showcased the exhibition Portraiture Now: Asian American Portraits of Encounter and allowed participants to converse with exhibit curators and Smithsonian Asian Pacific American Program staff. Two hundred tickets were sold and attendees enjoyed food and music in the Kogod Courtyard and had their portraits drawn by the Corcoran College of Art + Design students, which were added to the works from the collections being projected on the walls of the courtyard.

APA Program staff and friends at Portraits After 5.

APA Program staff and friends at Portraits After 5, a National Portrait Gallery "Mingle at the Museum" evening event on November 4, 2011.

Nam June Paik

20 Sep
Nam June Paik's Electronic Superhighway

Nam June Paik's Electronic Superhighway: Continental U.S., Alaska, Hawaii (1995)

On July 20th, the Smithsonian American Art Museum (SAAM) celebrated what would have been Nam June Paik‘s 79th birthday, as well as his piece, Electronic Superhighway: Continental U.S., Alaska, Hawaii.

Nam June Paik (1932-2006)

Nam June Paik (1932-2006)

Considered to be the father of video art, Nam June Paik was a revolutionary in the field of contemporary art. Recognizing the importance of utilizing new technology as a medium for artistic expression, Paik began to create pieces using TV screens, film reels, neon lighting, and other high-tech outlets, effectively transforming the media and art world.  As stated by John Hanhardt of the Guggenheim Museum, “Paik’s work [had] a profound and sustained impact on the media culture of the late twentieth century.”1

While Superhighway is the only Paik piece at SAAM, he is also known for his other works such as TV Cello, TV Bra for Living Sculpture, Something Pacific, Positive Egg, and Ommah.  Paik is celebrated for his modern innovation and creativity.  He is remembered for his groundbreaking artistry.

Superhighway Cake

Superhighway Cake from the Eye Level Blog

The Nam June Paik event was held in the Watch This! Gallery of the museum. Featured lecturers included John Hanhardt (senior American Art curator for media arts) and artist Jim Campbell, who discussed the compositional significance of the Superhighway.  The party continued in the Luce Foundation Center, with a large sheet cake adorned with the printed image of the Superhighway.

At the reception, staff members were able to reconnect with Paik’s nephew, Ken Hakuta Paik, who flew in from New York.  Since the death of his uncle in 2006, Ken has been the one in charge of Nam June Paiks’ affairs as well as the preservation of Paik’s legacy.

To learn more about Paik and the Smithsonian American Art Museum, please visit http://americanart.si.edu/

Related Links:


1 Hanhardt, John.  Retrieved from http://www.paikstudios.com/essay.html.

Recap: Portraiture Now Fundraising Reception

29 Jul
Staff and Guests

APA Program Staff and Guests

Written by Andrea Park, Summer 2011 intern.

On July 12, 2011, the Smithsonian Asian Pacific American Program (APAP) and the National Portrait Gallery (NPG) hosted a welcome reception for the APAP’s new director, Konrad Ng, which doubled as a preview for Portraiture Now: Asian American Portraits of Encounter, the upcoming exhibition that opens on August 12, 2011 and on display through October 14, 2012.

This was the first time I have ever attended an event with a medley of high-profiled APA community members, Smithsonian “head honchos,” and art enthusiasts. The guest list included people such as Martin Sullivan, Director of NPG, Franklin Odo, the founder and former director of APAP, members of the National Council of Asian Pacific Americans, U.S. Representative Doris Matsui’s representative, Kari Lacosta, and NPG Commissioner Sheryll Cashin.

My fellow interns and APAP staffers arrived a half-hour before the event kicked off, so I had a couple of moments to soak in the scene. The reception was held in the second floor rotunda and Riley Gallery—an elegant space with wooden floors, intricately carved wooden panels, and crystal chandeliers that opened up to an airy balcony. Projected on the walls of the room were pieces from Portraiture Now accompanied by a playlist of chamber orchestral music.

I was particularly struck by Satomi Shirai’s vibrant, highly saturated photos of female subjects in urban settings. I especially connected with “Fortune Telling,” a photograph of two young women sitting in a living room littered with strips of peeled fruit skin because my mother uses the same technique to peel fruit. On one hand I was able to identify with the young, cosmopolitan subjects, but on the other I was left longing for the comfort of a previous generation.

Interns and Guests

APA Program Interns and Guests

Perhaps the most special part of the evening was Konrad’s speech where he not only introduced each intern, but read a quote from each of our applications about why the APAP is important to us. As a plug for all of you would-be interns, definitely apply! The APAP is a friendly and cohesive organization which is earnestly dedicated to promoting APA history and culture. As an intern, I really feel like I am making an important contribution to the program’s objectives.

Portraiture Now: Asian American Portraits of Encounter

17 May

Artwork from Portraits of Encounter

August 12, 2011 through
October 14, 2012
11:30 a.m. — 7:00 p.m. daily

Smithsonian National Portrait Gallery
8th and F Streets NW
Washington, DC 20001
Google Map

Metro: Gallery Place-Chinatown
Free admission

This installation of Portraiture Now will feature seven artists, each of whom will show several works. The artists are:

  • Cindy Hwang (CYJO), New York, Beijing
  • Hye Yeon Nam, Atlanta and New York
  • Shizu Saldamando, Los Angeles
  • Roger Shimomura, Lawrence, KS
  • Satomi Shirai, New York
  • Tam Tran, Memphis, TN
  • Hong Chun Zhang, Lawrence, KS

The Smithsonian’s National Portrait Gallery (NPG) and the Smithsonian Asian Pacific American Program have collaborated to mount the Smithsonian’s first major showcase of contemporary Asian American portraiture. Through the work of seven artists from across the country and around the world, the exhibition offers thought-provoking interpretations of the Asian American experience and representations against and beyond the stereotypes that have obscured the complexity of being Asian in America.

Hallway at NPG where the Asian American Portraits of Encounter exhibition begins.

Hallway at NPG where the exhibition begins.

To visit the exhibition, go to the museum lobby located on 8th and F Streets NW. The exhibition is located in the first hallway on your right.

“The Portraiture Now exhibition series showcases innovative trends in portraiture,” said Martin Sullivan, director of the National Portrait Gallery. “Portraiture Now: Asian American Portraits of Encounter is a provocative and pathbreaking show that affirms the complex realities of Asian identity in today’s culture.”

“These exceptional works are portals into the souls of the American experience, world cultures and their intersections,” said Konrad Ng, director of the Smithsonian Asian Pacific American Program. “Asian American Portraits of Encounter provides engaging points of view that will enrich the understanding of Asian Pacific America.”

Click to visit NPG's website for the exhibit

Click to visit NPG's website for the exhibit

Related Links

News and Press

Beyond the War: Vietnamese American Film and Literature Envision a New Homeland

1 Mar
Panelists and Moderator

From left: Truong Tran, Mark Tran, Monique Truong, and moderator Isabelle Pelaud.

Click here to view more photos from the event.

 

Webcast video – Click the play button to watch via Ustream

Part 1: Welcoming remarks, introduction by Isabelle Pelaud, and panel speakers. (1hr 20min)
Click here to watch it on the Ustream website.

Part 2: Audience Q&A (20min)
Click here to watch it on the Ustream website.

Thursday, April 14, 2011
6:30 — 8:30 p.m.
 

Ring Auditorium
Hirshhorn Museum and Sculpture Garden
Independence Avenue and 7th St., SW
Washington, DC 20024

The auditorium is located on the lower level
Metro: L’Enfant or Smithsonian
This event is free and open to the public

Please join us for a panel discussion on new Vietnamese American literature, arts, and filmmaking.

For decades, the Vietnam War defined the history and identity of Vietnamese Americans in the United States. However, for a growing number of people in this community, the war is becoming a distant memory. How are these Vietnamese Americans creating new identities and opening a new chapter in the Asian American experience? The past decade has seen the emergence of a new generation of Vietnamese American scholars, writers, artists, and filmmakers who are redefining what it means to be a Vietnamese American. In doing so, they add compellingly new layers to what it means to be an American.

Downloads
Click here to download the Program for this event (PDF).

Parking info:
Please click here to download a PDF for more details on where to park at the Smithsonian.

Directions Using Metro Rail:
L’Enfant Plaza Station — Take the 7th and Maryland Avenue exit. Walk north on 7th Street, cross Independence where the Hirshhorn is to the left.
Smithsonian Station — Take the Smithsonian Mall exit. Walk south to Jefferson Drive and east to the Hirshhorn Museum. Entrance is from the Independence Avenue side of the museum.
 

Panelists

Monique Truong

Monique Truong
Writer
Photo by Marion Ettlinger

Monique Truong was born in Saigon, South Vietnam, and is currently based in Brooklyn, New York. Her second novel, Bitter in the Mouth (Random House, 2010), was named a 25 Best Fiction Books by Barnes & Noble and a 10 Best Fiction Books by Hudson Booksellers. Her first novel, The Book of Salt (Houghton Mifflin, 2003), was a national bestseller, a New York Times Notable Fiction Book, and the recipient of the New York Public Library Young Lions Fiction Award. Truong is also a contributing co-editor of Watermark: An Anthology of Vietnamese American Poetry & Prose (Asian American Writers’ Workshop, 1998). She is a graduate of Yale University and Columbia University School of Law.
 
 

Truong Tran

Truong Tran
Poet and Visual Artist

Truong Tran is a poet and visual artist. His publications include, The Book of Perceptions, Placing The Accents, Dust and Conscience (awarded the San Francisco Poetry Center Book Prize in 2002), within the margin and Four Letter Words. This year, he will be a featured reader at the International Poetry Festival in Rotterdam, Netherlands. Truong lives in San Francisco and is a visiting professor of poetry at Mills College. His artwork has been shown at galleries and festivals including Intersection for the Arts and SOMARTS. In February of 2010, Truong had his first solo exhibition at The Mina Dresden Gallery. His work can be viewed on his website at http://gnourtnart.com

 

Mark Tran

Mark Tran
Filmmaker

Mark Tran is a Vietnamese American filmmaker born and raised in California. He wrote and directed the award winning film All About Dad, a heart-warming comedy about an “old world” father and his “new world” kids. All About Dad garnered awards at film festivals and was ranked 8th from the Top 10 Asian American Films of 2009 by Asia Pacific Arts. Mark started filmmaking when he was 16 and has since directed over 30 short films, including the award-winning The Fisherman’s Troubled Odyssey, about a father’s immigration from Vietnam, and fan-favorite Binary City, a neo-noir gangster film. Mark is currently working on another screenplay and he hopes to continue telling stories from a Vietnamese American perspective.

 

Isabelle Pelaud

Isabelle Pelaud
Panel Discussion Moderator

Isabelle Pelaud will serve as the moderator for the panel discussion.  She is an associate professor in Asian American Studies at San Francisco State University. She is the author of This Is All I Choose to Tell: History and Hybridity in Vietnamese American Literature (Temple University Press, 2001). Her academic work can be found in Mixed Race Literature, The New Face of Asian Pacific America, Amerasia Journal and Michigan Quarterly Review. Her creative works have been published in Making More WavesTilting the ContinentVietnam Dialogue Inside/Out and The Perfume River. She is founder and executive director of the Diasporic Vietnamese Artists Network (DVAN). She seeks to create intersections within academia, activism, and the arts.

Event Flyer (click to enlarge)

Beyond the War flyer

Smithsonian Folklife Festival to begin, wood sculpture welcomes visitors

23 Jun

The stage is waiting for you

As the 2010 Smithsonian Folklife Festival quickly approaches, the National Mall in Washington, DC resonates with the sounds of hammers on wood as workers prepare the stages, tents, and other physical structures that will house the myriad participants teaching mall visitors about everything from the culture and history of Mexico to the foodways and community experiences of Asian Pacific Americans today to how exhibitions at the Smithsonian are put together.

Wooden sculpture by Foon Sham

Standing under the over 90-degree (maybe even 100-degree) heat, quietly waiting for the festival to start, a structure of wooden panels seem particularly welcoming in a grassy area under the trees. Upon closer inspection, names and words of greeting in at least four or five different languages are beginning to fill this signature wall.

Designed by Foon Sham, professor of fine arts at the University of Maryland, College Park, this wooden sculpture resembles a giant guest book. Visitors and passers-by of the National Mall over the course of the Folklife Festival are asked to sign it with their names and contribute one-word descriptions of themselves or their professions.

Wooden sculpture by Foon Sham

The presence of the wooden sculptures symbolizes a welcoming to visitors of all backgrounds. This is significant because such a welcome was not always the case for Asian Pacific Americans—both native-born Americans and more recent immigrants—as can be seen in the various exclusion acts in U.S. history. Signing the sculpture along its vertical panels reminds us that, in context of a globalizing world, languages are not always written horizontally from left to right. Specifically, it reminds us of the several Asian languages written vertically. While the signatures on the wood will fade over time (as purposefully designed), the memories created at the Festival will not disappear but will affect us and our global relations for years to come.

Foon Sham is also the artist of The Glory of the Chinese Descendents, a wall sculpture at the Chinatown-Gallery Place metro station leading into Chinatown in Washington, DC.

Be sure to come visit the Smithsonian Folklife Festival, which runs June 24-28 and July 1-5, 2010, everyday from 11 a.m. to 5:30 p.m. on the Mall with evening events throughout the greater DC area after 5:30 p.m.

Check the Folklife Festival website for the full schedule and more details.

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